Swamp Capitalism Event Series: Earth Pigments Workshop
Registration is now closed. We are thrilled by the interest in this event and regret that we were not able to take everyone off the waitlist. Please stay tuned for announcements on future workshops.
The Workshop
Guided by History Design Studio Fellow Robin McDowell, Participants will work together to create watercolor pigments from foraged organic materials from research sites in south Louisiana, as well as materials from Harvard’s campus.
The workshop will begin with a short informational talk and demonstration of methods for incorporating archives and ethnography in environmental artmaking. Participants will then learn hands-on techniques for creating paints with soil and other organic matter and take home a small pigment pot created during the workshop.
As participants examine and work with the materials, they will engage in discussion about the materials themselves, as well as the histories of the peoples, lands, and bodies of water where the materials were first encountered.
This event is the second in the Swamp Capitalism Event Series convened by History Design Studio Fellow Robin McDowell.
Limited to 15 participants. Advance registration required.
Artist Statement:
My creative practice draws on years of traveling south Louisiana swamps and backroads, oil towns, salt mines, former sugar plantations, flood control structures, shipping ports, tourist attractions, prisons, and chemical refineries tucked along the banks of the Mississippi and Atchafalaya Rivers. Sites of industry and pleasure blend seamlessly atop remains of enslaved people and displaced towns founded by Black families in the years following Emancipation. Over the course of many years spent following the intertwined histories of oil, salt, and sugar in Louisiana’s sinking wetlands, I came to realize the perverse metabolism of natural resource extraction at the expense of Black lives and labor.
Studies over the course of the 20th century exhibit incredible capacities of soil, air, and water to retain chemical residues (both benign and toxic) and structural damage from environmental duress, such as heat, ice, floods, and industrial pollutants. New scholarship in the life sciences demonstrates that, conceived as a larger system of biomass, these materials metabolize energy in pathways similar to the human transmission and processing of emotion by neurotransmitters and parasympathetic nervous systems. With these studies in mind, my body of creative work offers a provocation: The molecular structures of soil and water collected from former plantation sites are evolving and restructuring themselves due to ecological, economic, racial, and psychological violence and theft enacted upon the environment by European settlers, plantation owners, and corporations. These practices range from soil exhaustion by mono-cropping, erosion from deforestation and engineering projects, and microbiological reconfiguration from the psychic energies of terror, pain, hope, and pleasure. As the pigments crystallize, oxidize, melt, dissipate, and congeal over time, visual and tactile stories emerge through the rendering of new creative and interpretive possibilities from materials themselves.
The Swamp Capitalism Event Series brings together artists, teachers, activists, filmmakers, and academics from New Orleans, Cambridge, and beyond.
Swamp Capitalism: The Roots of Environmental Racism, an interdisciplinary project of History Design Studio Fellow Dr. Robin McDowell, traces racial, ecological, and economic encounters between African descended peoples, petroleum, sugar, and salt in Louisiana swamps on a geologic time scale. The programming brings this research to life through artmaking, documentary film, and intergenerational dialogues.
Swamp Capitalism Event Series: Screening of “Hollow Tree” and Q&A with Director, Producer, and Protagonists
Join us for the Boston Premiere of Hollow Tree, hosted by History Design Studio and co-sponsored by the Harvard Graduate School of Education. The screening will be followed by a conversation with Director Kira Akerman, Producer Monique Walton, and the 3 protagonists.
Moderated by Walter Johnson with an Introduction by Vincent Brown.
This event is the first in the Swamp Capitalism Event Series convened by History Design Studio Fellow Robin McDowell.
We extend special thanks to the Harvard Graduate School of Education and Dean Bridget Long for their generous support
Free and open to the public. Advance tickets highly recommended.
About the Film
Hollow Tree follows three teenagers coming of age in their sinking homeland of Louisiana. For the first time, they notice the Mississippi River’s engineering, stumps of cypress trees, and billowing smokestacks. Their different perspectives — as Indigenous, white, and Angolan young women — shape their story of the climate crisis.
The 73-minute award-winning documentary, directed by Kira Akerman and produced by Monique Walton and Chachi Hauser, invites three young women, who did not previously know each other, to learn with the director, filmmaking team, and their respective communities. Mekenzie Fanguy (Houma, Louisiana) was born on coastal bayous and is a member of the United Houma Nation; Annabelle Pavy (Lafayette, Louisiana) is from a mostly white community, where climate change is largely viewed as a myth; and Tanielma DaCosta (Baton Rouge, Louisiana) immigrated from Angola, Africa when she was 6. They travel to different sites along the Mississippi River, where they engage in dialogue with engineers, activists, and Indigenous leaders. As these young women notice their surroundings, they begin to imagine Louisiana's past — its history of slavery, Indigenous dispossession, and colonization — and, by extension, Louisiana's future. The one that they will experience and help to shape.
Watch the Trailer
Kira Akerman / Director
Monique Walton / Producer
Mekenzie Fanguy / Protagonist
Annabelle Pavy / Protagonist
Tanielma Da Costa / Protagonist
Hosts and Moderator
Vincent Brown / Director of History Design Studio, Charles Warren Professor of History and African & African American Studies
Robin McDowell / History Design Studio Fellow, Convener of Swamp Capitalism Event Series
Walter Johnson / Winthrop Professor of History and African & African American Studies, Director of The Commonwealth Project
The Swamp Capitalism Event Series brings together artists, teachers, activists, filmmakers, and academics from New Orleans, Cambridge, and beyond.
Swamp Capitalism: The Roots of Environmental Racism, an interdisciplinary project of History Design Studio Fellow Dr. Robin McDowell, traces racial, ecological, and economic encounters between African descended peoples, petroleum, sugar, and salt in Louisiana swamps on a geologic time scale. The programming brings this research to life through artmaking, documentary film, and intergenerational dialogues.
DJ Set and Closing Party featuring $paceAgeRasta
A listening party featuring “Rocker’s Revolution,” the debut album of Makonnen Blake Hanna, aka $paceAgeRasta.
Jamaican refreshments will be served.
Free and Open to the Public: RSVP requested (form below)
Makonnen, 'Maki-B', the SpaceAgeRasta, proudly presents to you the 'RockersRevolution' LP.
'ROCKERS REVOLUTION' is Makonnen's debut album, devoted to honouring the giants of reggae and dancehall with a modern twist. Artist/producer Makonnen Blake-Hanna delivers a 12-track album that recreates a night at Jack Ruby's famous James Avenue Lawn, Ocho Rios, where such musical heroes as Brigadier Jerry, SupaCat, Leroy 'Horsemouth' Wallace and others introduce each track with their familiar styles of 'toasting' and free-styling that became unique within Reggae and Dancehall.
Makonnen burst onto the scene as an artist in 2015 with the massive hit “Red Eye” that launched his career and cemented his place as one of the new generation of reggae artists. The single got recognition at home and abroad, which led to him being noticed by Major Lazer's Diplo and Walshy Fyah and international superstar Justin Beiber who all congratulated him on the song's success. “Red Eye' remains a popular number on reggae playlists all over the world.
The 'RockersRevolution' album showcases Makonnen's innovative skills as a producer and potent lyricist, demonstrating his observation of many social issues and presentation of them in musical commentary. As producer, Makonnen worked with such reggae greats as Third World, Stephen and Damion Marley, Junior Reid, Sizzla Kalonji, Capelton and many more local and international artists.
Makonnen enlists the help of artists Exile Di Brave, T.J. a.ka. “Likkle Briggy” (son of legendary DJ Brigadier Jerry), his N.R.G. brothers Rsenal Di Artillary and Iyah Gift, Century Sam, IBlack Lion, Massy The Creator, Princess Leah, Lady Blu and NY-based rapper Passport. The 'RockersRevolution' album is executive-produced by Makonnen himself, and features riddim production by his Natural High Music team Jordan Armond and Blaise Davis, as well as popular Los Angeles-based Jamaican producer/selector DJ Crooks and legendary musician John 'Pops' Dowling from pioneering reggae group UB40.
Be sure to check out all of the Jamaican Sound System for Body and Mind Events
Panel: The Global Influence of Dancehall Culture
The Global Influence of Dancehall Culture
Panelists:
Makonnen Blake Hanna (Artist and Producer)
Joelle Powe (Filmmaker)
Latonya Style (Choreographer)
Moderated by Vincent Brown (Director of History Design Studio and Charles Warren Professor of History)
Makonnen Blake Hanna / Artist & Producer
Latonya Style / Choreographer
Joelle Simone Powe / Filmmaker
Vincent Brown / Director of History Design Studio and Charles Warren Professor of History and African & African American Studies
Be sure to check out all of the Jamaican Sound System for Body and Mind Events
Exploring Jamaica’s Dancehall: A Movement Workshop led by Latonya Style
EXPLORING JAMAICA'S DANCEHALL
History Design Studio, in partnership with The Office for the Arts Dance Program, is thrilled to present renowned Jamaican Dancehall choreographer and teacher Latonya Style for a workshop as part of Jamaican Sound System for Body and Mind symposium.
This exhilarating workshop explores the evolution of Dancehall through movement, introducing a broad range of vocabulary innovated from the Jamaican Dancehall scene throughout the last 50 years. Learn and embody this art form, which has influenced popular culture on a global scale.
Open to the community! For all bodies, all levels, and all abilities. No previous dance training or experience in Dancehall is required. All are welcome!
Latonya will be signing copies of her book Stylish Moves Guide and Activity Book after the workshop.
ACCESSIBILITY:
Harvard Dance Center is accessible for wheelchairs and other mobility devices. If you have questions regarding accessibility, and/or need to request accommodations to participate, please contact dance@fas.harvard.edu.
Be sure to check out all of the Jamaican Sound System for Body and Mind Events
Screening of “Out There Without Fear: Jamaica's Dancehall” and Q&A with Director Joelle Simone Powe
About the Film
The documentary Out There Without Fear explores the cultural impact of Jamaica’s Dancehall dancers. Topics include art, dance, classism, violence, sexuality, the church, and Blackness. This 45-minute film features interviews with leading Jamaican academics, street dancers, dance advocates, and Rastafarian leaders. Voices include literary scholar Dr. Carolyn Cooper, choreographer Latonya Style, popular dancer Kool Kid, lecturer Maria Hitchins, musicologist Herbie Miller, and members of the church. The film is available in English with Spanish subtitles. It has already been watched and discussed across several universities in the USA and cultural centers, conferences, and classrooms in China, the Dominican Republic, Senegal, Jamaica, Canada, and other countries.
Free and Open to the Public
Be sure to check out all of the Jamaican Sound System for Body and Mind Events